
Founder, Whitehall Group, LTD
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March 2003, pp 75-97.
Collection that Clicks,” Art & Antiques, November 2002, p.
62-66.
64-69.
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2017/2018, p. 77.
“Mark Lewis at the Art Gallery of Ontario,”</a >
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Artforum.com, October 2011.
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Fall/Winter 2001, p. 84.
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Sculpture, Jan/Feb 2010, pp. 29-35.
2009, pp. 66-70.
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Thursday, November 21, 2024Collecting in the South (panelist), Atlanta Art Fair, Pullman
Yards, October 4, 2024Collecting Conversations (moderator), Virginia Museum of
Contemporary Art, September 14, 2023The Contemporary Art Market, Homrich
Berg Private Client Group, March 23, 2023
The Rise of the Private Museum, Forward Art Foundation,
April 14, 2022
Demystifying</em > the Insurance and Appraisal Process, Hambidge Center for the
Arts, April 12, 2022
A Career in the Arts: Notes from a Hampshire Alum, Hampshire
College, January 29, 2018 Guest Lecturer, Professional Practices, Graduate
School of Art and Design, Georgia State University, November 12, 2018
“Guest Critic”, Graduate School of Art and Design, Georgia State
University, March 22, 2016 “OFF/Center: Art Writing from the Regions,”
three day symposium organized in conjunction with the American Association
of Art Critics and Emory University, Atlanta, September 20-22, 2013 “Guest
Critic, Leap Year Awardees,” The Goat Farm, Atlanta, November 20, 2011
“Contemporary Art Criticism,” Nashville Cultural Arts Project, Nashville,
April 13, 2011 “Female Photographers: Is there a gender voice?” Panelist,
Hagedorn Foundation, Atlanta, April 7, 2011 “Art and Censorship: A
Screening of David Wojnarowicz’s
A Fire in My Belly and
Panel Discussion,” Panelist, Emory University, Atlanta, February 17, 2011
“The Art of Collecting,” Davis Waldron Fine Art, Atlanta, July 12, 2007
“Collecting Now,” Four-part seminar on collecting contemporary art, taught
with Stuart Horodner at the Atlanta Contemporary Art Center, Atlanta, Jan.
8, 15, 22, and 27, 2007 “Art Criticism,” Guest Lecturer, Kennesaw State
University, GA, October 17, 2006 “Local Heros: Public Art from the Private
Realm, ” sponsored by Fulton County Arts Council,City of Atlanta Bureau of
Cultural Affairs and the Metropolitan Public Art Committee, Hill
Auditorium, High Museum of Art, Atlanta, May 18, 2006 “Guest Critic,”
Drawing and Painting Graduate Seminar, Georgia State University,
Atlanta,November 29, 2004 “Opportunities for Artists in Public Art
Programs,” Moderator, Atlanta Center for Contemporary Art, Atlanta, March
2004 “The Art of Collecting,” Trinity School, Atlanta, February 2004;
Wesleyan School, Atlanta, May 2004 “Conversation with Ross Bleckner,”
Atlanta College of Art, Atlanta, March 2000 “Mirror, Mirror on the Wall:
Reflections of the Self in Contemporary Art,” Atlanta Center for
Contemporary Art, Atlanta, May 1999 “Joseph Beuys,” High Museum of Art,
Atlanta, November 1994 “Bridging the Gap: Trends in Post-World War II
American and European Art,” High Museum of Art, Atlanta,
September-November 1994 “Ray Smith,” High Museum of Art, Atlanta, October
1993 “Studio Artists’ Critique,” Atlanta College of Art, Department of
Continuing Education, Atlanta, September-December 1993 “Dennis Oppenheim,”
High Museum of Art, Atlanta, March 1993 “Faces and Facets of
Multiculturalism,” Atlanta College of Art, Department of Continuing
Education, Atlanta, September-December 1992 “The New York Art Market,”
Hampshire College, Amherst, MA, December 1991 “David Hammons,” Hampshire
College, Amherst, MA, December 1991
years of guidance from Rebecca. She understood our vision of creating a
collection that is totally unique, and she pursued it with passion,
using her extensive gallery and art contacts plus her own very good
judgment when it came to installation. She was also extremely diligent
in the mechanics of making sure that all pieces were documented properly
and that items of interest at auction were thoroughly researched before
we bid. Rebecca is an absolute professional in all aspects of the Fine
Art world.”
with some with an excess of large 18th and 19th century fine paintings.
Fortunately, I knew of Rebecca who did an outstanding job of locating
and negotiating for the successful liquidation of these pieces. I doubt
if the outcome would have been nearly as successful without her
expertise.”